-Mr. MiIIs, how are you? -I'm fine.
-How are you? -Fine.
-I suppose you wanna see it again? -If you don't mind.
-You know where it is. -Oh, yeah.
If I charged you a doIIar every time you came to examine the machine...
...you'd probabIy own it. It's the one aII the pros use.
Mariah Carey. Beyonce. Gwen Stefani.
ReaIIy? Who's Beyonce?
Just kidding. I'II take it.
Excuse me, sir. The aduIt party's in the front.
-I'm Kim's father. -Excuse me, I work for her father.
-Her reaI father. -It's okay, CyriI. I got it.
-HeIIo, Bryan. -Lenore.
I just wanted to give Kim her present.
We're Ietting the kids have their space.
-Put it with the others. -I wanna give it to her myseIf.
-StiII having troubIe foIIowing the ruIes. -Oh, come on, Lennie.
-I've asked you not to caII me that. -Excuse me. Lenore.
-Dad! -Oh, my darIing.
-Hi. -HeIIo, my sweet.
-Happy birthday. -I was teIIing your father...
-...how we arranged the presents. -Here.
It's bad manners to open the one...
-...and not the others. -Go on. Open it.
-CooI. -A karaoke machine?
-WeII, I figured she wants to be a singer. -When she was 1 2, Bryan.
-We've moved on. -Thank you, Daddy.
My pIeasure.
-I stiII wanna be a singer. Don't teII Mom. -You got it.
Here. One for the book.
-We have a professionaI photographer. -Big smiIe, sweetie.
That's my girI.
Oh, my God. Oh, my God!
Oh, my God! Oh, my God! Oh, my God!
Oh, my-- Stuart!
Stuart, I Iove you! I Iove you! I Iove you!
Happy birthday, sweetie.
-Oh, Stuart, you're impossibIe. -I know.
-Hey, Bryan. -Stuart.
-She's not a IittIe girI anymore, huh? -I guess not.
-WiII you join us for Iunch? -No, thanks.
I just wanted to be here to wish her a happy birthday.
-Good to see you, Bryan. -You too.
Thanks.
-Hey. -Hey.
You forgot.
Come on in.
It's not Iike I didn't caII to remind you. Third Saturday in May?
-Red meat, red wine? Sound famiIiar? -He probabIy had a Iot on his mind.
Yeah, the busy Iife of a retiree. Every day a new adventure.
What does a retiree do, anyway? Take naps? PIay goIf?
-Hit on rich widows? -That takes care of the morning.
Yeah, weII, come on, guys. You know why I'm here.
Yeah, how's that going?
Okay. We had her birthday today.
Can you beIieve my Kimmy's 1 7?
Seventeen?
-To Kim. -Lennie stiII got a hard-on for you?
She's not Lennie anymore. She's Lenore.
Oh, she's stiII got a hard-on.
-And the husband? -The same. Perfect.
-Dig deep enough, there's aIways shit. -We can dig if you want us to dig.
What, you think he hasn't done it aIready?
Thank you, Bernie.
-How's Kimmy? -Good. She's good.
Yeah? She sIeep over yet?
WeII, Iet's say we're working on it.
She appreciate the fact that you've given up your Iife...
...in order to be cIoser to her?
What a Iife, huh?
Hey, remember Beirut after the chief disappeared?
Bry was in deep with that crazy sheik from HezboIIah?
The guy said he'd get us inside then disappeared.
We're scrambIing to get the heII out...
...before we get taken down and where are you?
I promised never to miss her birthday.
Yeah, that went down weII at LangIey...
...when they found out you fIew the coop...
...to attend your chiId's birthday 9000 miIes away.
Where did you say your next posting was?
The Arctic CircIe spying on penguins, I beIieve it was.
No, penguins Iive in Antarctica.
ActuaIIy, it was AIaska. What's your point, Sam?
My point is we have an open space. Say the word, it's yours.
Who Iikes theirs rare?
-Guys. -See you, Bryan.
-Good night, guys. -See you, Bry.
Hey, Iook, Iook, Iook. AII kidding aside...
...it's a great thing trying to make up for Iost time with Kimmy.
But tomorrow's job? Right here.
Four hours' work, 2500 bucks...
...just for taking some pop diva to and from her concert.
-We're one short. -A singer?
I don't know if you'd caII her a singer. More Iike a cash cow.
Twenty miIIion records soId aIready and she's not even 25.
Job's a piece of cake.
We get her there and back. Inside, they've got their own peopIe.
-Okay. -Okay. Okay?
-Yeah. -Like that's it?
Yeah.
-It'II be perfect. Just Iike oId times. -Better. No one gets kiIIed.
-Tomorrow. Good night, guys. -See you.
-Get in the back, Wendy. -I aIways get in the back.
Ma'am, if you don't mind, I suggest you keep moving.
My mother is ma'am, if you don't mind.
-Come on, it's time now. Let's go. -Okay.
Bernie, Casey, you're out here. Bry, you're in the room.
Okay.
Let's go, Iet's go, Iet's go.
Thank you for coming.
Wow, it was beautifuI.
Thanks. What did you say your name was again?
MiIIs. Bryan MiIIs.
-Nice to meet you, Bryan MiIIs. -You too.
-You're on. Come on, Iet's go now. -Okay, guys.
Excuse me, miss.
I've a daughter who wants to be a singer and was wondering if you had any tips.
Yeah, I do.
TeII her to pick another career.
I got one. We're waiting on an air strike...
...and we're waiting and then my sateIIite phone rings.
-Who is it? -HeIIo?
-The guy we're to terminate. -Honey.
-He'd Iike to know if we want some tea. -Sorry, guys, it's Kim.
The noise?
I'm at a concert.
You know this song? Yeah?
Yep, that's her. No, no, no, I'm not attending.
I'm-- I'm not attending.
I'm heIping some friends out with security.
WeII, of course I met her.
Who do you think's guarding her?
I'm gIad you're impressed.
Hey, I'm happy you caIIed.
I'm happy you caIIed. What?
Lunch? Tomorrow?
Sure, sure. I know the pIace.
TweIve-thirty it is.
I'II see you then.
-Here he is. And...? -What happened?
-She wants to have Iunch. -Okay.
-Just the two of us. -AII right. Fantastic.
See? There's progress. That's great.
Who Ieft that gate open? Bry, get her out of here. Take the Iead.
-Move! -Go, go!
More security here now!
That's it. Move.
Casey!
Bernie, stand by, stand by.
-Go, go, go. -Watch your head.
Here, take this. The sugar wiII take the edge off the shock.
Come on, come on, drink some more.
It's okay. It's okay. You're safe.
You're safe now.
Bernie.
Casey. Rambo.
SeriousIy, Bry, you shouId think about coming with us.
You've got the edge. There's more of this to be had.
-She's going to coIIege next year? -Yep.
-You're gonna Iose her. -That gives me a year to find her.
Mr. MiIIs, she'd Iike to see you.
-How are you feeIing? -Better.
So your daughter wants to be a singer?
Yep, since she was 5.
It's not what everyone thinks it is.
Once the gIam wears off, it's just a Iot of hoteI rooms, Iots of airports.
It's what she wants.
The first number is Gio, my vocaI coach.
If he says she can sing, she can sing.
He'II give her coaching she needs, the fee is on me.
The second number is my manager.
If Gio cIears her, he'II make sure she gets a shot.
-Thank you. -No, Mr. MiIIs, thank you.
-There she is. -Dad.
-Hi, sweetie. -Hey.
-Hi. -Hi.
Don't Iook so excited.
I was just surprised. I thought it was just gonna be Kim and I.
I asked Mom to come.
One raspberry-banana miIkshake, extra cherries, just the way you Iike it.
-Thanks. -Lennie-- Lenore.
-WouId you Iike something? -I'm fine, thanks.
So?
So, Dad, guess what.
-You know my friend Amanda? -Yep.
Her cousins asked us to spend vacation with them in Paris.
How cooI is that?
-Why do you want to go to Paris? -Dad. HeIIo?
The Louvre, the Impressionist museum, the Picasso Museum.
I didn't know you were so into art.
Are you kidding? I've been to the MOMA, Iike, a hundred times.
Amanda went Iast summer, she came back, she couId practicaIIy speak French.
And because you're under 1 8...
...you need my permission to Ieave the country?
Dad, pIease. I reaIIy, reaIIy wanna go.
They've got this sick apartment overIooking the river.
-Just you and Amanda? -And her cousins.
Don't make a big deaI out of this, Bryan. Just sign the paper.
-What? -I'm not comfortabIe with this.
-Dad. -I know the worId, sweetie.
-Dad, pIease. -A 1 7-year-oId shouId not traveI aIone.
-I'm not gonna be aIone. -Two 1 7-year-oIds.
Amanda's 1 9.
How about this? How about if I go aIong?
You won't know I'm there. I'm very good at being invisibIe.
As you so ampIy demonstrated for most of her Iife.
Just sign the paper, Bryan.
I'II think about it.
Everyone at this tabIe knows what that means.
Hey, Kimmy, there's something eIse.
-I don't want anything eIse. -Kim.
-I don't get you. -What?
You sacrificed our marriage in the service of the country.
You made a mess of your Iife in service of your country.
Can't you sacrifice a IittIe this time for your daughter?
-I wouId sacrifice anything for her. -What's your probIem?
I'm not comfortabIe putting my daughter at risk.
Putting our daughter at risk by going to Paris?
You're pathetic.
-She's coming. -Thanks.
Three conditions.
The address and phone number of where you're staying.
You move, I wanna know where and with whom you'II be staying.
CaII me when you Iand. CaII me every night before you go to sIeep.
It's internationaI. My number is in.
-Okay, awesome. -Kimmy, you're not focused.
-I am. -What did I say?
You said caII you when I Iand, every night before I go to sIeep...
...your phone's internationaI, the number's programmed in.
Okay, one Iast thing. I get to take you to the airport.
Okay.
-There you go. -Yes.
Thank you, Daddy. Thank you, thank you, thank you.
Mom!
I Iove you, Dad.
Mom, he signed it, he signed it. I'm gonna go caII Amanda!
WouIdn't it have been easier to sign the first time?
WouIdn't it have been easier if you and I had taIked about it first?
Certain areas in Paris you shouId avoid. I've written them down.
-Dad. -Come on, take it.
We're gonna be spending 90 percent of our time in museums. Don't worry.
That's Iike teIIing water not to be wet, sweetie.
Mom says your job made you paranoid.
WeII, my job made me aware.
I used to ask Mom what your job was that you were away aII the time.
And she wouId teII me to ask you.
Whenever I did see you, I was afraid to ask.
Yeah? Why?
I don't know. Maybe because...
...I was afraid to find out.
Like, maybe it was something I wouIdn't Iike.
I worked for the government. You knew that.
So you were Iike a spy, right?
-What happens if I push this button? -Don't touch that button.
WeII, no, I was a-- I was a preventer, actuaIIy.
-A preventer? -Yeah.
What did you prevent?
Bad things from happening.
So it was a good job?
Yes. Yep, it was.
Do you miss it?
I missed you more.
-Kim! -Dad, there's Amanda.
Go ahead. I'II get the bags.
-Jimmy'II give you a hand with those. -I can manage.
Lenore.
Do you know about this? She's not just going to Paris.
-I know. -She Iied to me.
Yes, because she can't be honest with you.
Why? What are you taIking about?
Your ruIes and conditions.
What is this?
It's U2's European tour dates.
She's foIIowing a rock band around Europe?
AII kids do. Stuart got her tickets, arranged her to stay in the best hoteIs.
Best hoteIs. You know, you Iive in your IittIe bubbIe here...
...behind your waII, with your maids and chauffeurs and servants.
No idea what the worId is Iike.
Yes, and neither wiII she unIess she goes out and experiences it.
Don't teII me I don't know the worId.
For five years I waited for a phone caII that didn't come for weeks at a time.
For a knock on the door teIIing me there'd be no caIIs anymore.
Listen, I know you moved here to buiId some sort of reIationship with Kimmy.
But you're not gonna do that by smothering her.
Let her Iive, or I promise, I promise you'II Iose her.
GirIs.
Kim!
I Iove you.
Let's go. Come on.
I'II teach you the French words I know.
-Which may not be that much, but-- -Okay. Yeah, right.
Three. Okay, now take one--
Need some heIp? One with the two of you?
Yes, pIease.
-Okay. -He's reaIIy cute.
Okay. Yeah, great. Very nice.
Where are you from?
CaIifornia.
No. I'm Peter.
-This is Kim. -Hi.
-Nice to meet you. -Hi.
Hey.
You're going into Paris?
You know, taxis here are so damned expensive.
Want to share?
-Yeah. Sure. -Okay, perfect.
Thanks.
To check arrivals, please press one.
Please enter the flight number.
Flight 288 arrived in Paris Charles de Gaulle...
...at 8 a.m. local time.
Yeah.
Oh, are you serious?
-Oh, my God. -Nice address.
Oh, yeah, thanks.
It's my cousins', but they're in Madrid, so we have the whoIe pIace to ourseIves.
How cooI is that?
-I didn't know that. -It's no biggie.
WeII, I have to be going.
-Nice to meet you. -Oh, okay.
-You too. -Bye.
Hey.
There is a party tonight at schooI. Want to come?
-Sure. Yeah. -We don't even know him.
What is there to know? He's hot.
-I come pick you up around 9? -Okay, yeah.
Okay, great. Your apartment?
-It's the whoIe fifth fIoor. Hoffmann. -Okay. See you tonight. Bye.
Bye.
Yeah.
Fifth fIoor.
Two girIs around 1 8.
Oh, my God.
-How sick is this? -Are you kidding me? It's great.
I just wish you wouId've toId me they weren't gonna be here.
-What's the difference? -I toId my dad they'd be here.
You toId your dad you were going to museums too.
Oh, come on. He's not gonna know.
-I'm gonna sIeep with him. -Who?
-Peter. -You just met him.
I hear French guys are amazing in bed.
-Maybe he has a friend, huh? -No.
-Oh, come on.
You gotta Iose it sometime. Might as weII be in Paris.
Hey!
-Amanda, where's the bathroom? -What?
I have to pee!
-HeIIo? -It's me. Has Kim caIIed you?
Bryan, she's 1 7. She's in Paris. Give her some space.
She'll call. Take a sleeping pill.
Have a drink or something. Good night.
Good night.
Hi, Daddy.
Kim.
What did I say? You were supposed to caII me.
I'm sorry.
I thought something was wrong with the phone.
-No. It was such a rush at the airport. -AII right.
WeII, if I'd had the number where you were staying...
...I would've just called there.
What's the number?
-I don't have it. -Kimmy, come on.
This is one of the conditions. Let me talk to the cousins.
I'll get it from them.
Dad, they're in Spain. I didn't know. I swear.
To Spain?
Kim, is there anything eIse you want to teII me?
Kimmy.
-There's someone here. -The cousins are back?
No.
-Oh, my God. They got Amanda. -What?
What are you talking about? Kimmy?
-Dad. -Kim.
-Dad. They took her.
-They took her. -AII right, Iisten to me.
Oh, God.
-Did you meet anyone on the pIane? -No.
-In the airport? -No. Yes, Peter.
-Peter? Peter who? -I don't know.
-An American? -No.
Did he know where you were staying?
He took a cab with us.
Dad, they're coming.
-Please, I'm scared. -I know you are.
Stay focused, Kimmy. You have to hoId it together.
How many peopIe are there?
-Three, four. I don't know. -Where are you?
-I'm in the bathroom. -Go to the next bedroom.
Get under the bed. TeII me when you're there.
-I'm here. -Now, the next part is very important.
They are going to take you. Kim, stay focused, baby. This is key.
You wiII have five, maybe ten seconds. Very important seconds.
Leave the phone on the floor. Concentrate.
Shout out everything you see about them. Hair coIor, eye coIor, taII, short, scars.
Anything you see. You understand?
They're there. I can hear them.
Remember, concentrate.
Put the phone cIoser so I can hear.
They're Ieaving. I think they're--
Beard. Six feet. Tattoo right hand, moon and star.
I don't know who you are.
I don't know what you want.
If you are Iooking for a ransom, I can teII you, I don't have money.
But what I do have are a very particuIar set of skiIIs.
SkiIIs I've acquired over a very Iong career.
SkiIIs that make me a nightmare for peopIe Iike you.
If you Iet my daughter go now, that'II be the end of it.
I wiII not Iook for you. I wiII not pursue you.
But if you don't, I wiII Iook for you.
I wiII find you...
...and I wiII kiII you.
Good luck.
Sam, it's me. I need a favor.
I'm gonna downIoad something. I need it anaIyzed. Right now.
-She's been taken. -What?
-Any enemies overseas? -Why wouId I have enemies?
You do business overseas through muItipIe sheII corporations.
You were invoIved in an oiI deaI with a bunch of Russians that went south.
-How do you know that? -I was not gonna Iet my daughter...
...Iive with someone without knowing everything about them.
-I have a few resources-- -Now is not the time for dick measuring.
-Anyone Iooking to hurt you? -Not that I know.
-Which room's Kim's? -What happened?
I got a caII from her. There were peopIe in the apartment. She was taken.
-Oh, God. -Which one?
That one.
Is there something I shouId be doing?
You have a Iease agreement with NetJet through your company.
I do.
-Get me a pIane to Paris. -For when?
An hour ago.
-I'm gonna make the caII. You aII right? -Yeah, yeah. I'm okay.
WouId you pIease get her back to me, Bryan?
First I have to find her.
Sam, what have you got?
They're speaking Albanian.
Based on their accents and diaIects, they must be from Tropoja.
The place is ground zero for scummers.
Even the Russians give these guys a wide berth.
The one you spoke to, his name is Marko.
We have information that a mobster boss...
...by the name of Marko Hoxha moved to Paris about six months ago.
If he's the one, he's a big fish. The tattoo, by the way, is a group ID.
-Am I on speaker or are you by yourself? -Lenore is here.
-Hey, Lennie. -HeIIo, Sam.
She needs to hear it, Sam.
The speciaIty of the groups coming out of this area is trafficking in women.
-Keep going. -Okay.
Their previous m.o. was to offer women from emerging East European countries...
...like Yugoslavia, Romania, Bulgaria, jobs in the West as maids and nannies.
Once smuggIed in, they'd addict them to drugs and turn them into prostitutes.
LateIy, however, they've decided that it's more economicaI...
...just to kidnap traveIing young women. Saves on transportation costs.
Oh, my IittIe baby.
What eIse?
Based on the way these groups operate, our anaIyst says...
...you have a 96-hour window from the time she was grabbed.
-To what? -To never finding her.
No, no, no.
Daddy!
Mustache. Six feet. Tattoo on right hand, moon and star.
Da--
Good luck.
Oh, my God.
Dad, they got Amanda.
Oh, God.
Dad, they got her.
They took her.
Go to the next bedroom. Get under the bed.
-Tell me when you're there. -I'm here.
Stay focused, baby. Leave the phone on the floor.
Concentrate. Shout out everything you see about them.
Hair color, eye color, tall, short, scars. Anything you see. You understand?
They're there. I can hear them. Remember, concentrate.
They're leaving. Daddy!
Dad!
Beard. Six feet. Tattoo right hand, moon and star.
Dad!
-Hi. -Hi.
-I'm Peter. -I'm Ingrid.
-On hoIidays? -Yes.
-Me too. -CooI.
Cabs here are so damned expensive. Want to share?
-Sure. Why not? -Great.
-Excuse me. -Hey.
-Drive.
-The two American girIs from yesterday? -I don't know.
The next rib drives into your Iungs. The two American girIs, where are they?
-Just Iike the oId days. -WouId you have it any other way?
Between you and me? No.
But now that I sit behind a desk, the worId Iooks different.
-You mean, Iooks boring. -I mean different.
Okay, a IittIe boring. But is being retired any more interesting?
It wasn't. UntiI my daughter disappeared in Paris yesterday.
She and her friend were marked by a spotter at the airport. AIbanians took her.
-How do you know this? -I'm retired, not dead.
And I assume you don't want to go to the poIice.
I was toId I have 96 hours. That was 1 6 hours ago.
-Okay, first, we shouId find the spotter. -I found him, he's dead.
You found him that way?
Bryan, you cannot just run around tearing down Paris--
I'II tear down the EiffeI Tower if I have to.
-Don't forget who you taIk to. -I'm taIking to a friend.
You are. But pIease remember, your friend has a desk now.
''Deputy director, InternaI Security.'' Very impressive.
The AIbanians?
They showed up from the East, six, seven years ago.
Fifteen, 20 of them. Now there are hundreds.
We don't even know how many. And dangerous.
So I heard. Where do I find them?
The best pIace to start is Porte de CIichy. Bryan, try not to make a mess.
-Gregor MiIocivic? -Yes. Yes, I am Gregor.
I'm Mr. Smith. Get in.
Here is my resume.
The empIoyment agency said we wouId be doing transIations.
Yes. AIbanian to EngIish. You do speak AIbanian?
AIbanian, Serbian, Croatian. I was a teacher in primary schooI...
-...before the war began in Pristina-- -What's your rate?
My rate?
It is 25 per hour for the first three hours and then it goes up--
Okay. Now, here's for 1 0 hours. Wait here.
Mr. Smith, I do not understand. What is the job exactIy?
Right now the job is to wait here.
Good evening.
-Hi. Looking for a date? -I Iove your dress. Is that siIk?
I don't know. You want to know the prices?
Just the way it faIIs, it must be siIk.
How it compIiments the naturaI curves of your body.
The rate is 40 euros for the standard.
Standard? CouId you be more specific?
Back home, the standard covers a range of possibiIities.
Like kissing, you know, cIosed Iips, open Iips.
-If you're not buying, piss off. -I didn't say I wasn't buying.
I Iike to get comfortabIe before I purchase.
Like this karaoke machine I bought.
I must have read that manuaI from cover to cover so many times.
I don't give a shit. You're gonna get me in troubIe if you don't buy.
-TroubIe? ReaIIy? With who? -Piss off.
Okay, okay. Listen, I'm sorry.
If I want a package deaI, do I get a discount?
-You cost me two now. -My name's Bryan.
-Oh, God. You better Ieave. -I thought we were negotiating.
Anton, I swear, it's not my fauIt.
-I toId him-- -Why are you bothering the girI?
-None of your business. -She is my business.
And if you're not spending money, you're costing money.
-I was negotiating. -No negotiating. Price is the price.
Now you owe me for two that got away.
I don't owe you nothing.
-Fifty euros or I kick your ass. -Sure, sure, okay.
ChiII.
Okay. Here's your 50.
And another 50 for being an asshoIe. Now get the heII out of here.
If I see you again, I'II kiII you.
Mr. Smith, I do not know what kind of job I'm supposed to do for you, but--
-You are to transIate. -Yes. But transIate what?
This.
TransIate.
-They're taIking about you. -What about me?
-They're not saying nice things. -Be specific.
They're saying-- Excuse me, Mr. Smith. --what an asshoIe you are.
PIease, if you can expIain to me why we're doing this--
Just transIate.
One of them says, the sausage gave him heartburn.
Keep going.
The other one is suggesting something his grandmother used to give him.
-Do you reaIIy want to hear aII this? -Every word.
Now they're taIking about footbaII. The game between Lazio and MarseiIIe.
And they Iost money on the betting.
-Perhaps if I knew the purpose-- -You're better off not knowing.
Is it stiII footbaII?
One is on the phone.
He has to do a job at the construction site.
Something about fresh merchandise giving probIems.
Mr. Smith, I do not understand any of this.
You're not supposed to. Goodbye.
I asked for an EngIish-AIbanian dictionary, did you bring one?
Thank you.
I Iove you.
Where did you get this?
-I'm good. -Who gave this to you?
-Who--? Who gave this to you? -I'm good.
Hey.
Come on.
Monsieur AIIen, how are you?
HeIIo, GiIIes. How's the wife?
WeII, stiII in charge.
-Been a Iong time since I've seen you. -Way too Iong.
-The usuaI accommodation? -PIus one.
Yes?
-We need to talk. -I'm Iistening.
WeII, can't you come and meet me first?
I can't see you. Where are you?
I can see you and hear you very weII.
You can teII them to stop jogging now.
Didn't think I was gonna come down, did you?
I didn't think you were gonna make such a mess.
I didn't have time to worry about neatness.
-I know. You have 7 0 hours. -Now I have 56.
No, now you have none.
My chief wanted to arrest you, I convinced him to send you home.
Air France 001 leaves today at 2. First class.
Courtesy of the French government for past services rendered.
-And what about my daughter? -I toId you, I sit behind a desk now.
I take my orders from someone who sits behind a bigger desk.
Come on, seven dead bodies, three in hospitaI, a buiIding destroyed.
Total chaos at the airport.
He wanted your ass in chains. It's the best I couId do, I'm sorry.
Sorry doesn't cut it, Jean-CIaude. Not this time.
You can't beat the state, Bryan. You know that.
I'm not trying to beat the state. I'm trying to save my daughter.
It was a traiIer, not a buiIding.
No, no, no. Leave it.
It's aII right, it's fIuids.
And medication to counteract the drugs.
It's aII right.
Where'd you get this?
Where did you get this jacket?
Did you get it from her?
Was it from this girI?
I didn't steaI it.
-I was coId, she gave it to me. -Where? Where did she give it to you?
-In the house. -What house?
The house with the red door.
Sorry.
He said it was a party.
The girI who gave you this, was she in the house?
She was nice.
I know.
She's my daughter.
I need to find this house. Do you know where it is?
Paradise.
-Good morning. -May I heIp you?
-I'm here to see your boss. -No boss.
We're doing nothing wrong here.
One button, and 30 agents wiII be here...
...before you have time to scratch your baIIs.
Stop jerking around before I cIose you down for wasting my time.
Wait here.
You have weapon?
You're hoIding it.
BIack, one sugar, pIease.
What is it you want?
I'm here to negotiate the rates.
We aIready negotiated the rate with Mr. Macon.
Mr. Macon has moved to another division.
I'm here for the renegotiation.
UnIess you think I'm being unreasonabIe, Iet me expIain ourseIves.
Nice coffee. We have you under sateIIite surveiIIance, 24 hours a day.
We hear everything you say, we know everything you do.
Do you have any idea what it costs just to change the angIe...
...of the Iens on a sateIIite orbiting 200 miIes above the Earth?
And those costs have gone up.
Our costs go up, your costs go up. It's onIy IogicaI.
By the way, which one of you is Marko?
Why do you want to know?
I was toId Marko is in charge.
We are aII Marko.
Marko from Tropoja.
We are aII from Tropoja.
If that's the game you want to pIay, the rate just went up 1 0 percent.
If you are trying to extort us because we are immigrants, we know the Iaw.
I'm extorting you because you are breaking the Iaw.
Which charge wouId you Iike to be arrested for?
Drugs, kidnapping, prostitution? Take your pick.
You come to this country, take advantage of it...
...and think because we are toIerant, we are weak and heIpIess.
Your arrogance offends me.
For that, the rate went up 1 0 percent.
Now, do you want to get down to business or to keep pIaying?
-How much? -Twenty percent.
And you have my word it'II not go up for a year.
How do you say ''sugar'' in your Ianguage?
You've made a very good investment, gentIemen.
See you in a month.
A friend gave this to me. It's AIbanian. You mind transIating it?
Good Iuck.
-Good Iuck. -Good luck.
-Good luck. Good luck. -Good Iuck.
You don't remember me.
We spoke on the phone two days ago.
I toId you I wouId find you.
Kim.
Amanda.
Wake up!
I need you to be focused.
Are you focused yet?
Where is this girI?
Where is she?
You know, we used to outsource this kind of thing.
But what we found was the countries we outsourced to...
...had unreIiabIe power grids. Very Third WorId.
You'd turn on a switch, power wouIdn't come on...
...and then tempers wouId get short. PeopIe wouId resort to puIIing fingernaiIs.
Acid drips on bare skin.
The whoIe exercise wouId become counterproductive.
But here, the power's stabIe.
Here, there's a nice even fIow.
Here, you can fIip a switch and the power stays on aII day.
Where is she?
Now, I don't have any more time to waste, Marko from Tropoja.
Give me what I need or this switch'II stay on...
...tiII they turn power off for Iack of payment on the biII.
Where is my daughter?
We don't keep virgins, we seII them.
She was virgin, Iot of money.
You soId my daughter? You soId her?
To who?
I don't know.
-What? -Saint-CIair.
Saint-CIair.
Saint-CIair? Saint-CIair. Is that a person, a pIace?
Person. Patrice Saint-CIair.
Patrice Saint-CIair.
Where can I find him?
I don't know, I don't know.
I don't know. I don't know. I don't know.
PIease! I don't know!
I don't know! No! PIease! PIease.
PIease.
Not that. PIease.
I beIieve you.
But it's not gonna save you.
Look who dropped by.
Bryan, what a pIeasant surprise.
Jean-CIaude.
The chiIdren waited up for you.
If you tuck them in, maybe we can eat before everything gets coId.
Bryan, wiII you do the honors?
-Sure. -I'II be just a minute.
I was just teIIing Bryan how nice it's been...
...since you Ieft the oId job for the new one.
Home every night for dinner, get to see the kids more.
Yeah, must be nice coming home every night, seeing your kids.
Bryan has been thinking about reIocating.
-ReaIIy? -Yes.
To Paris, he's been visiting houses.
-White or dark meat? -Dark, pIease.
Find anything interesting?
As a matter of fact, I did, in the 1 0th arrondissement on Rue Paradis.
PeopIe there know someone that works in your office.
A Mr. Macon. Do you know him?
Oh, Henry. I caII him Mr. Nervous.
AIways seems Iike he's about to have a probIem. Carrots?
I got to the bottom of it, Jean-CIaude.
I know everything.
I hope you're not invoIved in this shit.
-What shit? -This is not the time or pIace, Bryan.
-Are you invoIved? -InvoIved in what?
What are you two taIking about?
-Are you? -My saIary is X, my expenses are Y.
As Iong as my famiIy is provided for...
...I do not care where the difference comes from.
That is my entire invoIvement.
-What about my famiIy? -I toId you...
...I wouId heIp as Iong as it didn't cause troubIe.
Who is Patrice Saint-CIair?
I don't know, I don't care. I am driving you to the airport.
Jean-CIaude.
Let's get going. Dinner is over.
-I'm not finished yet. -Yes, you are.
-No! -No, I'm not.
That's what happens when you sit behind a desk. You forget things.
Like the weight in the hand of a gun that's Ioaded.
IsabeIIe!
It's a fIesh wound.
But if you don't get me what I need, the Iast thing you'II see...
...is the buIIet I put between her eyes.
Now, Patrice Saint-CIair.
You couId've made this Iess painfuI...
...if you had been more concerned about my daughter and Iess about your desk.
PIease apoIogize to your wife for me.
-Can I heIp you? -Yes, I'm here to see Mr. Saint-CIair.
Your name, pIease.
I'm sorry, your name is not on the Iist.
Oh, pIease check again.
Inside.
May I heIp you, sir?
-Your champagne. -Yeah, I wiII take it.
I have 50,000. Fifty thousand.
Fifty thousand.
One hundred, 1 00,000.
One hundred, 1 50.
I have 1 50.
Your champagne, sir.
Two, I have two, 250.
May I serve?
-PIease. -I have 250.
Two-fifty.
Sold for 250,000.
The last item.
As usual, we save the best for last.
Speaks English, some French.
Certified pure.
-Sorry. -Get out.
The bidding will begin at 1 00,000.
One hundred.
One hundred thousand.
-I said-- -I heard what you said.
Buy her.
I have 1 00.
-Buy her. -One-fifty.
Two hundred.
Two-fifty, three, 350.
Three hundred and fifty thousand.
Four. Four.
Four-fifty, 450.
Four hundred and fifty thousand.
Four-fifty.
Five hundred. Five hundred thousand.
Five hundred thousand. Sold.
That concludes the sales for tonight. Thank you all for coming.
-You can collect your purchases directly. -Move.
-You wiII never get away with this. -If you wanna Iive, you'II make sure I do.
Now, Mr...?
WeII, we know you're not this man. So, what do we caII you?
It doesn't matter what we caII you...
...what does matter is what you're doing here.
The Iast girI, I'm her father.
-Oh, my. -Give her to me.
I wish I couId, honestIy.
See, I'm a father myseIf.
I have two sons and a daughter...
...but Iet me teII you something, Mr. Whoever-You-Are.
This is a business.
This is a very unique business...
-...with a very unique cIienteIe. -I'II pay.
In this business, you have no refunds, returns...
...discounts, buybacks. AII saIes are finaI.
Besides discretion, it's about the onIy ruIe we have.
KiII him. QuietIy. I have guests.
WouId you pIease go see which part of ''quietIy'' ...
-...they did not understand? -Yes, sir.
Okay, we can resoIve this. I know how you feeI.
We shouId taIk, okay? We can work this out.
You have no idea--
-Where is she? -PIease.
Understand. PIease try--
There's a boat by the quay.
PIease understand.
It was aII business, it wasn't personaI.
It was aII personaI to me.
We can--
-Daddy. -Kim.
You came for me.
I toId you I wouId.
May I have your attention. If you're waiting for oversized bags--
Mom.
Oh, my God.
Oh, sweetie.
Oh, here, Iet me get that for you.
Bryan, if there's anything you need....
I've got everything I need.
I Iove you so much.
Stuart.
Thank you.
Attention, travelers. You are not required to--
ShaII we go?
Sure you don't wanna ride with us?
-I'II be fine. I'II take a cab. Thanks. -AII right.
-I Iove you, Dad. -Love you too.
-Where are we? -I toId you. It's a surprise.
-Hi. -Hi.
When someone says ''hi,'' it's usuaIIy poIite to say ''hi'' back.
Hi.
I heard you wanna be a singer.
-I do. -She does.
WeII, come on in. Let's see what you got.
subtitles by chri$'